Gurre-Lieder für Soli, Chor und Orchester von Jens Peter
Jacobsen (1900-1911)
Quellen (Auswahl)
Skizzen
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, MS 60,
Nr. 1425, 2325-2332, 2334-2342, 2344-2366, 2366a [U443], 2366b [U444])
Holograph, sketches and fragment. Texts in German.
1425,
2325,
2326,
2327,
2328,
2329,
2330,
2331,
2332,
2334, 2335,
2336,
2337, 2338,
2339,
2340,
2341,
2342,
2344,
2345, 2346,
2347,
2348,
2349,
2350,
2351,
2352,
2353,
2354,
2355,
2356,
2357, 2358,
2359,
2360, 2361,
2362,
2363,
2364,
2365,
2366,
2366a
(= U443), 2366b
(= U444): sketches for Gurre-Lieder.
2333:
Fragment (12 bars) in black ink and sketches in pencil for Dank
[op. 1, no. 1]. The fragment is crossed out in blue pencil. At head
of leaf is title and date '30/7.98'. On J.E. & Co. No. 5, 18 linig paper.
2343
(25.5 x 26.8 cm.): Fragment (12 bars) in black ink for Hans im Glück.
Also sketches, below, for Gurre-Lieder.
Particell
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg,
MS 60, Nr. 2161-2258)
1 ms. condensed score ([72] leaves); 34.4 x 26.4 cm. + 1 folder ; 36.5
x 29.0 cm.
Title on cover 'Gurrelieder, 1ste Niederschrift, Teil II u III ohne Schlusschor--wer
hat den 1sten Teil'. Statement of responsibility from p. 1 (blue pencil).
The manuscript is described by microfilm number.
The pages are variously numbered: mfl. 2163-2205 = p. 1-43 (in pencil,
foot of p.), mfl. 2206-2210 = unnumbered, mfl. 2211-2219 = p. 47-55 (in
pencil, foot of p.), mfl. 2220-2224 = unnumbered, mfl. 2225-2302 = p.
1-76 (in blue pencil, head of p.). Cover in blue cloth over cardboard.
2 addresses stamped inside 'Arnold Schönberg, Berlin-Zehlendorf-Wannseebahn,
Machnower Chaussee, Villa Lepcke' and 'Arnold Schönberg, Wien, XIII. Gloriettegasse
43. Tel. 84373'. The manuscript is primarily in black ink. There are many
corrections, compositional changes, additions, and completions throughout,
in pencil, red pencil, blue pencil, and ink. In addition some pages have
corrected leaves affixed directly to them. On various papers (primarily
J.E. & Co. No. 4, 16 linig) from 12 to 28 staves. Dated on p. 7 'Begonnen
in März 1900', p. 19 '7/4.1900', p. 24 '14/IV 900', p. 28 '14.IV.1900'.
2162,
2163,
2164,
2165,
2166,
2167,
2168,
2169,
2170,
2171,
2172,
2173, 2174,
2175,
2176,
2177,
2178,
2179,
2180,
2181,
2182,
2183,
2184,
2185,
2186,
2187, 2188,
2189,
2190,
2191,
2192,
2193,
2194,
2195,
2196,
2197,
2198,
2199,
2200,
2201, 2202,
2203,
2204,
2205,
2206,
2207,
2208,
2209,
2210,
2211,
2212,
2212a,
2213,
2214,
2215,
2215a
(pasting),
2215_2 (w/ pasting), 2216,
2216a
(pasting), 2216_2
(w/ pasting), 2217,
2217a
(pasting), 2217_2
(w/ pasting), 2218,
2219,
2220,
2221,
2221a,
2222,
2222a, 2222b,
2222c
(pasting), 2222b_2
(w/ pasting), 2223,
2223a
(pasting), 2223_2
(w/ pasting), 2224,
2225,
2226,
2226a,
2227,
2227a,
2228,
2229,
2230,
2231,
2232, 2233,
2234,
2234a
(pasting), 2234_2
(w/ pasting), 2235,
2236,
2237,
2238,
2239,
2240,
2241,
2242,
2243,
2244,
2245,
2246, 2247,
2248, 2249,
2250,
2251,
2252,
2253,
2254,
2255, 2256,
2257,
2258,
2259,
2259a
(pasting), 2259b
(pasting), 2259_2
(w/ pastings), 2260,
2261,
2262,
2262a
(pasting), 2262_2
(w/ pasting), 2263,
2263a
(pasting) 2263b
(pasting), 2263_2
(w/ pastings), 2264,
2264a
(pasting), 2264_2
(w/ pasting), 2265,
2265a
(pasting), 2265b
(pasting), 2265_2
(w/ pastings),
2266, 2266a
(pasting), 2266b
(pasting), 2266c
(pasting), 2266d
(pasting), 2266e
(pasting), 2266_2
(w/ pastings),
2267, 2268,
2269,
2270,
2271,
2272,
2273,
2274,
2275,
2276,
2277,
2278,
2279,
2280,
2281,
2282,
2283,
2284,
2285,
2286,
2287,
2288,
2289,
2290,
2291,
2292,
2293,
2294,
2295,
2296,
2297,
2298,
2299,
2300,
2301,
2302
Fanfare: for a Bowl concert on motifs of Die Gurrelieder
[1945]
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg,
MS 60, Nr. U334-U336)
1 ms. score ([1] leaf) ; 34.4 x 27.2 cm. Notes: Holograph, fair copy (fragment).
For 3 trumpets, 4 horns, 3 trombones, tuba, and percussion. The manuscript
is described by microfilm number. Mfl. U334-U336: Incomplete pencil fair
copy (31 bars) on 3 leaves of transparent paper (Circle blue print co.,
18 staves). Each leaf has 2 systems (8 or more staves each). Bears dedication
at head of leaf 'To my friend Leopold Stokowski'. Undated. Versos are
all blank. 1st leaf has part of it cut out (for a correction). Tempo marking
'[half note]=76'.
Sketches: (3 types of paper); 2 pages, 28 x 21.5 cm. (11 x 8.5 in.) Music notebook paper, 3 holed, rounded corners, 10 staves. Annotated in pencil. Recto (U337) with 7 annotated staves, 3 blank; verso (U338) with all staves annotated. Second page (U340) with verso blank, 6 holes (3 holed on both left and right sides), all staves annotated. 2 pages (U339, U341), 30.6 x 22.9 cm. (12 x 9 in.) Transparent paper, 12 staves drawn manually. All satves annotated in pencil. U341 has a fold crease. 1 page (U342), 30.6 x 22.9 cm. (12 x 9 in.) Carbon paper, 15 staves drawn manually, 13 staves annotated in pencil, pen, and blue pencil.
U337,
U338,
U339,
U340,
U341,
U342
Bearbeitung der Orchester-Zwischenspiele für
zwei Klavier zu vier Händen von Anton Webern
Arnold Schönberg Center, Wien (Nachlaß
Arnold Schönberg, MS 60, o. Nr.)
Orchestral interludes for Gurre-Lieder, arr. for 2 pianos 4-hands Anton
Webern [1909-1910]. 1 score ([6], 18 p.) + 2 parts ; 34.5 x 26.4 cm. +
1 folder ; 36 x 28 cm.
Holograph, fair copy. On various J.E. papers (No. 2, 12 linig; No. 6,
20 linig; No. 7, 22 linig).
Score (Prelude): 'Mässig bewegt', incomplete, in Webern's hand. Black
ink, bar numbers in red pencil. 6 pp. (mm. 1-41).
Parts (Prelude): 'Vorspiel', complete, in copyist's hand. Black ink, corrections in pencil, bar numbers and part designations in red pencil, title in blue pencil. 2 parts (2 players each). 13 p. of Piano I and 14 p. of Piano II (mm. 1-92).
Piano I: p.1, p.2, p.3, p.4, p.5, p.6, p.7, p.8, p.9, p.10, p.11, p.12, p.13. Piano II: p.1, p.2, p.3, p.4, p.5, p.6, p.7, p.8, p.9, p.10, p.11, p.12, p.13, p.14
Parts (4th interlude): 'II. vor: Waldemar: so tanzen die
Engel...', complete, in copyist's hand. Black ink, corrections in pencil,
bar numbers and part designations in red pencil, title and page number
references (to Schoenberg's 1900-01 piano draft: 'S.23', 'S.25', i.e.
S.24, S.26) in blue pencil. 2 parts (1 player; 2 players). 2, 4 p. (mm.
411-443).
Piano II: p.1,
p.2,
p.3,
p.4,
p.5.
Piano I (only 1st player): p.1,
p.2
Parts (5th interlude): Complete, in copyist's hand. Black ink, bar numbers
in red pencil, page references (to Schoenberg's 1900-01 piano draft: 'S.30',
'S.31') in pencil. 2 parts (2 players each). 2 p. each piano (mm. 537-552).
Piano I: p.1, p.2. Piano II: p.1, p.2
Parts (6th interlude): Complete, in copyist's hand. Black
ink, bar numbers in red pencil, corrections in pencil, page references
(to Schoenberg's 1900-01 piano draft: 'S.39', 'S.40') in blue pencil.
2 parts (2 players each). 2 p. each piano (mm. 705-721).
Piano I: p.1, p.2. Piano II: p.1, p.2
Score (7th interlude): Complete, in Erwin Stein's [?] hand. Black ink, other marks in pencil, blue pencil, and red pencil. 18 p. (mm. 813-957).
p.1,
p.2,
p.3,
p.4,
p.5,
p.6,
p.7,
p.8,
p.9,
p.10,
p.11,
p.12,
p.13,
p.14,
p.15,
p.16,
p.17,
p.18
Parts (7th interlude): 'vor Lied der Waldtaube, Zwischenspiel (nach Waldemar:
Du wunderliche Tove[)]' complete, in copyist's hand. In black ink, bar
numbers in red pencil, page references (to Schoenberg's 1900-01 piano
draft: 'S.43', i.e. S.44) in pencil. 16 p. (piano I, 2 parts), 14 p. (piano
II, 2 parts) (mm. 813-957).
Piano I: p.1,
p.2,
p.3,
p.4,
p.5,
p.6,
p.7,
p.8,
p.9,
p.10,
p.11,
p.12,
p.13,
p.14,
p.15, p.16,
p.17.
Piano II: p.1,
p.2,
p.3,
p.4,
p.5,
p.6,
p.7,
p.8,
p.9,
p.10,
p.11,
p.12,
p.13,
p.14,
p.15
In a brown, half blue cloth, cardboard folder entitled 'Gurre-Lieder'
in blue ball-point pen. Stamped inside 'Arnold Schönberg, Wien, IX. Liechtensteinstrasse
68/70'.
(Described in: Berthold Türcke: Gurrelieder and Orchestra
pieces, op. 16, for two pianos. In: Journal of the Arnold Schoenberg Institute,
V. 7, no. 2 (Nov. 1983), p. 239-254.)
Quellenbeschreibung: Arnold Schönberg Gesamtausgabe, Band 16, Teil
1. »Gurre-Lieder« für Soli, Chöre und Orchester. Kritischer Bericht, Entstehungs-
und Werkgeschichte, Dokumente (voraussichtlich in zwei Teilbänden). Herauszugeben
von Ulrich Krämer (in Vorbereitung). Band 16, Teil 2. »Gurre-Lieder« für
Soli, Chöre und Orchester. Skizzen, Frühfassungen für Klavier. Herauszugeben
von Ulrich Krämer (in Vorbereitung).
