Suite für Klavier op. 25 (1921-23)
Sources
Präludium, Erstniederschrift
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, MS 25, Nr. 27a)
Quelle A, in: Arnold Schönberg: Sämtliche Werke. Abteilung II: Klavier- und Orgelmusik. Reihe B, Band 4, Werke für Klavier zu zwei Händen. Kritischer Bericht, Skizzen, Fragmente. Herausgegeben von Reinhold Brinkmann. Mainz, Wien 1975, p. 30-39
The ms. is written in black ink with corrections and rehearsal markings in pencil and blue crayon; the ms. is written on 12-lined staff paper made by J.E. & Co. and is bound with white thread.
Intermezzo, Entwurf zu T. 1-4, Erstniederschrift des endgültigen Textes zu T. 1-10, Abschrift von T. 11-Ende
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, MS 25, Nr. 27b, 27c, 27d, 27e)
Quelle B1, B, H, in: Brinkmann
Holograph. The first draft of the Präludium is written in pencil on one leaf of 'J.E. & Co. No. 5' paper with 20 staves, measuring 34.9 x 26.5 cm. 'Arnold Schönberg/Traunkirchen No. 29/Villa Josef/Oberoesterr.'--stamped in upper left hand corner. 'Traunkirchen 24. VII. 1921' is written in the upper right hand corner ; 'Traunkirchen' has been corrected in black ink from 'Traunstein' both here and with the signed date at the end of the piece: '29. Juli 1921'. A few corrections have been made in black ink. The verso is blank. The first draft of the Intermezzo is written in black ink on one double leaf of 'B. & H. Nr. 11. C., 5. 14' paper of 18 staves, measuring 35.5 x 26.8 cm. The top right hand corner of p. [1] reads: 'Traunkirchen [corrected from 'Traunstein'] 25/7. 1921 [corrected from 25.8. 1921], Juli', written in black ink; followed by 'op. 25' written in red pencil; followed by 'II Serie No. 4 [corrected from No. 2]' written in pencil. 'Arnold Schönberg/Mödling bei Wien/Bernhardg 6.-Tel. 118'--stamped at the bottom of p. [1]. Four measures are crossed out at the beginning of the page. Many corrections have been made to this draft; some are signed in pencil or in red ink. After the final measure, on p. [3] is written: 'Abgeschrieben 26/II 1923, Arnold Schönberg'. Page [4] contains sketches for a melody in 4/4 time, possibly an early sketch for the Menuett, and is dated '26/7. 1921'.
Intermezzo, Erstniederschrift T. 11-Ende
im V. Skizzenbuch, S. 8-9
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, Sk 470-478)
Quelle C, in: Brinkmann
Gavotte, Erstniederschrift; Musette, Skizze
im V. Skizzenbuch, S. 10
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, Sk 470-478)
Quelle D, E1, in: Brinkmann
Musette, Erstniederschrift und Skizze
im V. Skizzenbuch, S. 11
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, Sk 470-478)
Quellen E, E2, E3, E4, in: Brinkmann
Menuett, drei Entwürfe und Erstniederschrift
im V. Skizzenbuch, S. 12, 13
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, Sk 470-478)
Quellen F1, F2, F3, F, in: Brinkmann
Gigue, Erstniederschrift und mehrere Skizzen
im V. Skizzenbuch, S. 14-16
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, Sk 470-478)
Quellen G, G1, G2, G3, G4, in: Brinkmann
Autographe Sammelabschrift, ohne Intermezzo und T. 13ff. der Gigue
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, MS 25, Nr. 19r, 19v, 20r, 20v, 21r, 21v, 22r, 22v, 23r, 23v, 24ar, 24r, 24v, 25v, 26r, 26v, 27r)
Quelle J, in: Brinkmann
Holograph fair copy. Library lacks the Intermezzo in holograph fair copy. Title from handmade cover of music paper, measuring 34.5 x 24.7 cm. The music is written in black ink on six double leaves of paper with 12 staves. Pages [1-2], [12-16], [22-24] are blank. Page [3] has the heading 'Präludium, II Serie, No. 1' written in pencil, with 'op. 25' added in red pencil. Page [5], the end of the Präludium, is dated 'Traunkirchen Juli 1921'. The Gavotte appears on p. [6-8]; the Musette on p. [9-11]. The end of the Musette is inscribed 'Abgeschrieben 18/III.1923'. The Menuett appears on p. [17-20]; at the end of the trio is written 'copiert 22/III.1923 Arnold Schönberg'. The Gigue is written on p. [21] but is incomplete, containing only measures 1-12. Initialled corrections appear throughout, chiefly in red ink; performance markings added in blue pencil. 'nicht mit dem Platz sparen'--handwritten on p. [12]
Durchschlag der maschinenschriftlich vorgelegten Aufführungsanweisungen
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, MS 23, p. 1)
Quelle J, in: Brinkmann
Skizzenblatt
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, MS 25, Nr. 27f, 27g)
Quelle a, e, in: Brinkmann
Skizzenblatt
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, MS 25, Nr. 27n, 27o)
Quelle b, h, in: Brinkmann
Skizzenblatt
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, MS 25, Nr. 27jr, 27jv)
Quelle c, in: Brinkmann
Skizzenblatt
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, MS 25, Nr. 27h, 27i)
Quelle d, f, in: Brinkmann
Skizzenblatt
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, MS 25, Nr. 27kr, 27kv)
Quelle g, in: Brinkmann
Skizzenblatt
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, MS 25, Nr. 27l)
Skizzenblatt
Arnold Schönberg Center, Wien (Nachlaß Arnold Schönberg, MS 25, Nr. 27m)
Quelle j, in: Brinkmann
Holograph sketches. Each leaf is described by microfilm number and is written in pencil unless otherwise indicated. Mfl. 27F-27G : Written on one leaf of 'J.E. & Co. No. 6, 20 linig' paper, measuring 34.5 x 26.2 cm. Sketches of tone rows appear on the recto in both black ink and pencil; primary motifs are sketched in pencil on the verso. Some corrections appear on the verso in red pencil. Mfl. 27H-27I : Written on one leaf of paper with 14 staves, measuring 30.1 x 23.5 cm. Sketches of tone rows appear on the recto in black ink and pencil. The bottom two staves have been typed upon. Sketch of two measures for an unfinished movement appear in pencil on the verso. Mfl. 27J : Written in black ink and pencil on the recto of one leaf of 'J.E. & Co. No. 28' full score paper of 26 staves. Sketches of tone rows written upside down on the paper; corrections and additions are made in pencil. Mfl. 27K/U49 : Written on one leaf of 'J.E. & Co. No. 6, 20 linig' paper, trimmed to 13 full staves, measuring 22 x 26.5 cm. Sketch of 10 measures for an unfinished movement. Mfl. 27L/U50 - 27M/U51 : Written on one leaf of paper trimmed to 18 staves, measuring 23 x 34 cm. A piece measuring 11 x 10 cm. has been cut from the upper right hand corner. Sketches of six measures for an unfinished movement appear on the recto, written in black ink and pencil. The verso contains sketch of three measures from the Musette, with further sketches crossed out and the following comment written at the bottom of the page: Das ist nachträglich!! konstruiert und stellt sich heraus als der 2te Takt: die Form, die ich mit vieler Mühe hier gesucht habe, ist mir im 2. Takt sofort richtig eingefallen/Sch'. Mfl. 27N/U52 : Written on one leaf of 'J.E. & Co. No. 6, 20 linig' paper, measuring 34.5 x 26.5 cm. The recto contains sketches for an unfinished movement; the verso contains sketches for the Präludium, measures 20-25. Four measures are bracketed in red pencil on the verso.
Autographe Sammelabschrift, Stichvorlage
Arnold Schönberg Center, Wien (Archiv der Universal-Edition Wien, UE 511, p. 1, 2, 3, 4, 5, 6, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22)
Quelle K, in: Brinkmann
weitere Quellen:
Erstdruck. Wien, Universal-Edition 1925. Plattennummer 7627
Schönbergs Handexemplar des Erstdrucks (ASC)
