I. on Die Kunst der Fuge
a) Counterpoint Assignment SCO B7
see annotations of Die Kunst der Fuge in catalogue
b) Arnold Schönberg: Sämtliche Werke. Abteilung IV: Orchesterwerke II. Kritischer Bericht, Skizzen, herausgegeben von Nikos Kokkinis und Jürgen Thym. Mainz Wien 1993, p. 102-106 (S110, 169-73)
c) Contrapuntal Composition Textbook (18th century)
no. b recto verso
d) Contrapuntal Composition Textbook (18th century)
no. e recto verso
e) Counterpoint, Tonal and Twelve-tone, Box 95, from Prussian Academy:
-) 4-voiced fugue; 4-voiced fugue in class
-) "Fugen, die sind meinen Schülern in der Stunde vorarbeitet:" 2-voiced fugue, 3-voiced fugue, canon for a 4-voiced fugue, 4-voice fugue; canon in double counterpoint at the octave, contrasting theme in double counterpoint at the octave, 4-voiced fugue
II. Textbook: Counterpoint
Unfinished Theoretical Works No. 5
I a(b)/c
T37.12
a) pp. 1-58 of counterpoint text, Nov. 1936
(topically goes to Fifth species/two parts): compare pp. 1-5 with PEC, pp. 221-222
III. Counterpoint (9), master copies of musical examples
TBK6 (9)
1942?
a) examples X001-10085 by Schoenberg annotated and corrected in his hand; numbering of examples continued in TBU6 (8); content roughly corresponds to PEC, Part I
b) three sheets on cadence and modulation
IV. Counterpoint, 1st Version, Book II
TBK6 (8)
Handwritten Manuscript (8), "interrupted XII.26.42" annotated on p. 61
a) incomplete draft of "Second Species, Three Parts," notated pp. 55-56: compare PEC, Part II/II (107-8)
b) incomplete draft of "Third Species, Three Parts," notated pp. 57-59: compare PEC,
Part II/III
c) incomplete draft of "Fourth Species, Three Parts," notated pp. 60-63: compare PEC, Part II/IV
d) incomplete draft of "Fifth Species, Three Parts," notated pp. 64-72: compare PEC,
Part II/IV
6) example nos. stamped 10085-10104 by Schoenberg
| p. a | p. b | p. c | p. d | p. e |
| p. f | p. g | p. i | p. j | p. k |
| p. l | p. m | p. n | p. o | p. p |
| p. q | p. r | p. s | p. t | p. u |
| p. v | p. w | p. x | p. y | p. z |
| p. aa | p. bb | p. cc | p. dd | p. ee |
| p. ff | p. gg | p. hh | p. ii | Seitenanfang |
V. Counterpoint Text Books III: Handwritten Text
and Musical Examples
TBK6 (7)
continuation of "interrupted XII.26.42" annotated on p. 61 of
TBK 6(8)
Topically:
b) incomplete draft of "Intermediate Regions," notated pp. 73-77:
compare PEC,Part II/VIII
c) incomplete draft of "Sixth Compositional Application: Imitations,"notated
pp. 78-9: compare PEC, Part II/IX
d) incomplete draft of "First Species, Four Voices," notated
pp. 84-88: compare PEC,
Part III/I
e) incomplete draft of "Canons in Two and Three Voices,"notated
pp. 80-82: compare PEC, Part II/X
f) example nos. stampled 10106-10113 by Schoenberg (later numbering exs.
77-93); continuation of TBU6 (8) above [10105 is missing.]
VI. Counterpoint, Music Examples, New Version
TBK6 (11)
1943-44?
a) sheet in hand of Leonard Stein commenting on content of examples
b) example labelled nos. 1-80 in most cases corresponding to nos. 1-80
in PEC;
examples corrected and annotated by Schoenberg
VII. Counterpoint, Parts 3 &4, musical examples
TBK6 (10)
1943-44?
a) draft typescript by Leonard Stein notated pp. 68-114;
annotations and corrections only in Stein's hand:
compare PEC, Parts II-III
b) examples labelled with nos. 52-106: nos. 52-95 correspond to the same
in PEC
VIII. Contrapuntal composition for Preliminary Exercises
in Counterpoint
TBK6
after 1944
a) essay dating work on counterpoint book of 1943-44; description of polymorphous
canon; comment on nature of fuge
IX. Contrapuntal Composition Textbook (18th century)
1. 3 fugues in USA, not in Schoenberg's hand
Contrapuntal Composition Textbook (18th century)
no. c recto
verso
2. mixed species, modulating examples, D.C., one in Stein's hand, cantus
firmus in Schoenberg's
Contrapuntal Composition Textbook (18th century)
no. d recto
verso
3. class handout for double counterpoint at the octave
Contrapuntal Composition Textbook (18th century)
nos. f recto
nos. g recto
4. fugue subjects in Stein's hand; D.C. examples of Schoenberg
Contrapuntal Composition Textbook (18th century)
no. h recto
5. D.C. in Schoenberg's hand
Contrapuntal Composition Textbook (18th century)
no. i recto
verso
6. three-voiced modulation, four-voiced modulation, imitation, spiral
canon, two-voiced fugue from Prussian Academy
Contrapuntal Composition, Textbook (18th century)
no. j recto
verso
7. three-voice fugue from Prussian Academy
Contrapuntal Composition Textbook (18th century)
no. k recto
verso
8. choral prelude corrected by Schoenberg (Europe)
Contrapuntal Composition Textbook (18th century)
no. l recto
verso
9. D. C. by Schoenberg (all are USA but v)
Contrapuntal Composition Textbook (18th century)
nos. m recto
verso
nos. n recto
verso
nos. p recto
verso
nos. q recto
verso
nos. v recto
10. canonic openings by Schoenberg
Contrapuntal Composition Textbook (18th century)
no. o recto
verso
11. fugal openings by Schoenberg, (z written in France?)
Contrapuntal Composition Textbook (18th century)
no. s recto
no. t recto
no. x recto
no. y recto
verso
no. z recto
12. chorale prelude class handout
Contrapuntal Composition Textbook (18th century)
no. v (?)
13. modulations,canonic openings; Dorian and Phrygian fugues: from Prussian
Academy?
Contrapuntal Composition Textbook (18th century)
no. bb recto
14. 1938 fugue subjects and seven fugues: class handout
Contrapuntal Composition Textbook (18th century)
| no. cc1a | no. cc3b | |||
| no. cc1b | no. cc4 | |||
| no. cc2a | no. cc5 | |||
| no. cc2b | no. cc6 | |||
| no. cc3a | no. cc7 | Seitenanfang |
15. modal fugue subjects
Contrapuntal Composition Textbook (18th century)
no. dd1 recto
verso
no. dd2 recto
verso
no. dd3 recto
verso
no. dd4 recto
verso
15. 1938 six modal fugues handout
Contrapuntal Composition Textbook (18th century)
no. ee
17. 1943 Dorian fugue and analysis
Contrapuntal Composition Textbook (18th century)
no. ff
18. Fugue with two subjects layout
Contrapuntal Composition Textbook (18th century)
no. gg
19. Themes for fugues in major
Contrapuntal Composition Textbook (18th century)
no. hh
20. Lydian fugue
Contrapuntal Composition Textbook (18th century)
no. ii
21. Aeolian fugue
Contrapuntal Composition Textbook (18th century)
no. jj
22. portions of two different fugues
Contrapuntal Composition Textbook (18th century)
no. kk
X. Box 95
1. Tonal fugues and (real) pieces unfinished
a) unfinished a capella choral work, arrangement of "Oh, my horses
are hungry" 1934?
b) fugue (unfinished) 11-10-38
c) d.c./canon example
d) unfinished fugue; d.c. on children's piano piece
e) choral prelude
f) fugue in C-minor (unfinished)
2. Counterpoint/tonal & twelve-tone
a) nos. cc, ff,
and gg under Contrapuntal Textbook
b) cadences in harmony and counterpoint; species exercises
c) double counterpoint in tonal and twelve-tone form
d) fugue in 4 parts--layout
e) fugue and canon in double counterpoint
f) polymorphic study
g) 2 incomplete fugues
h) twelve-tone rows related by fifth; chart like double ctpt.
3. Copies of AS works in hands of others
a) piano concerto particell and tonal symmetry studies
4. Arrangements (unfinished)
a) Gavotte from French Suite in E minor
5. Sketches for unidentified works
a) chorale prelude exercise
b) canon and chorale fugue for harmonium or piano
6. Pedagogical material/misc.
a) chorale prelude
7. Gerald Strang Collection [S29]
A) UCLA (classroom notes) (17)
a) counterpoint 14a, 1937-8
b) counterpoint 122a-b, 1937-8
B) Musical examples for classes (19) a) handwritten sheet: Golden West
Music Press did lithograph handouts
C) Musical examples for classes (20-1) (complete set of class handouts
1936-8)
D) USC (classroom notes) (16-7) a) all exercises for counterpoint classes,
1935-6
8. Leonard Stein Collection [S23]
9. Clara Steuermann Collection [S25]
