folio 4.11r – 5.6r
| Folio | Inhalt |
| 4.11r | Counterpoint: "Alternatives" 20-23, 30-31 ("5" in corner) |
| 4.11v | Bars 11-20 "C" "D" "CS", 4-part |
| 4.12r | Counterpoint: bars 32-39 (end), 3-part |
| 4.12v | bars 18-31 of 3-part example ("5" in corner) |
| 4.13r | Counterpoint: "UH", "LH" at bottom |
| 4.13v | Two 5-bar examples, "G-b", [c-e] |
| 4.14r | Counterpoint: "G-D", 3-part; "Choral", "deceptive cad.", "Summer 1941" ("5" in corner) |
| 4.14v | Fragments, 3-part |
| 4.15r | Counterpoint: "Dissonances", "passing tones", "cadence", "consonances", "cambiata" instructions, exx. ("5" in corner) |
| 4.15v | 3-voice exx.: "A minor", "C-F" |
| 4.16r | Counterpoint: "Suspension", "Prep. Susp. Res.", "Interrupted Resolution" ("5" in corner) |
| 4.16v | 3-voice exx., "Imperfect cadence", "susp." |
| 4.17r | Cadences: "full", "Phrygian", "plagal", "half" (exx.) |
| 4.17v | 3-voice exx., "Camb.", "Imitation", "UH, LH" ("5" in corner) |
| 4.18r | Counterpoint: "Zones: Statement, Neutralization, Modulation, Cadence", exx. ("5" in corner |
| 4.18v | Hexachord, "UH LH", 4-bar, 4-voice example |
| 4.19r | Counterpoint: 3-voice fugue; subject only shown; 13 bars; 5-bar stretto ex. at top (same subject as 3.2) |
| 4.19v | Large written instructions (for test?) |
| 4.20r | Composition: "ant. cons." ("2/5") |
| 4.20v | Large chart-Rondo form on left with measure numbers. "Harmony", "Motive forms" on right |
| 4.21r | Passing notes, "free suspensions", exx. ("2/5") |
| 4.22r | Beware of overcrowding tendency of the smallest notes, "Up Beats", exx. ("2/5") |
| 4.23r | motive elaboration, variation (composition) ("2/5") |
| 4.24r | Composition - "12" ("2/5") |
| 4.25r | Composition - ? |
| 4.25v | Chart: key areas, "antecedent-consequent", "major minor" |
| 4.26r | Composition: fragments; "cadence or half cadence", "liquidation", "condensation" |
| 4.26v | Composition - motivic analysis |
| 4.27r | Composition: fragments |
| 4.27v | Composition: fragments |
| 4.28r | Composition: fragments, bars 9-15 |
| 4.29r | Composition: fragments, bars 9-13, 25-29, 9-25 |
| 4.30r | Composition: fragments, "No. 18", "21", "48"s |
| 4.31r | Composition: fragments, "a-b-a' or ternary form", small chart about ternary form Summe[r] 105 |
| 5.1r | Counterpoint: Fugue, bars 1-15 |
| 5.1v | Episode, bars 22-33 |
| 5.2r | Counterpoint: 20 bars of CF |
| 5.2v | Fugue exposition, bars 1-21, "#5", "EP", "MOD", "SEQ", "CADENCE", "LIQU." |
| 5.3r | Counterpoint: "Phrygian", 2-part, 24 bars |
| 5.3v | Fugue, bars 1-25 "#2" |
| 5.4r | Counterpoint: Chart showing "D" and "C" entrances in 4 voices (lower left) |
| 5.4v | Counterpoint; 2-part; "D", "C"; 23 bars; 4 endings, "Dorian", "#3" |
| 5.5r | |
| 5.5v | #4, 3-voice, p. 1 |
| 5.6r |
