folio 7.23r – 8.9r
| Folio | Inhalt |
| 7.23v | Composition, with harmonic analysis |
| 7.24r | Composition: har. analysis; tonic, submed, subdom., neop. regions, in b: |
| 7.24v | Counterpoint, 3-voice, "C-F" |
| 7.25r | Composition in C |
| 7.25v | Composition (2/5 in corner) |
| 7.26r | Composition: 6 cadence approaches in B-flat |
| 7.26v | Composition: 4 cadence approaches |
| 7.27r | Composition: cadence approach (see 7.26v) |
| 7.27v | Composition: 8-bar ex. with 2 endings |
| 7.28r | Counterpoint: "C-d", 2- and 3-voice writing |
| 7.28v | Counterpoint: "C-d"; "C-F-d", 3-voice |
| 7.29r | Composition: Melody analysis in D |
| 7.29v | examples "A" and "B" "on V, IV, VI, II" (see 7.13) |
| 7.30r | Counterpoint (?): about inversion, written instruction, interval tables |
| 7.30v | Counterpoint |
| 7.31r | Counterpoint: suspensions |
| 7.31v | Counterpoint: passing tones (?) |
| 7.32r | Counterpoint: passing tones |
| 7.32v | Counterpoint (?) |
| 7.33r | Counterpoint: inversions (?) |
| 7.33v | counter subj. in 8 and 12 inversion |
| 7.34r | Counterpoint: "UH", 3-voice |
| 7.34v | 4-voice fugue, unfinished |
| 7.35r | Counterpoint (?), Structural functions (?) |
| 7.35v | Motivic analysis of op. 7 mvt. 2, bars 1-8 |
| 7.36r | Structural functions, "tonic, dom., Dorian reg.", "Model/sequence" |
| 7.36v | Analysis of op. 26, scherzo mm. 25-28 |
| 7.37r | Structural functions? Composition? Motivic analysis |
| 7.37v | Counterpoint: upper, lower hex. |
| 7.38r | Counterpoint? close imitation of motives |
| 7.38v | Counterpoint |
| 7.39r | Counterpoint: close imitation of motives |
| 7.39v | Phrases and motives for Scherzo |
| 7.40r | Counterpoint |
| 7.40v | Imitation with CS |
| 7.41r | Motivic analysis, Beethoven son. mvt. (F minor) |
| 7.41v | Counterpoint: LH, UH |
| 8.1r | Counterpoint: 4-voice fugue in G, not in Schoenberg's hand, corrections by AS |
| 8.2r | Counterpoint: continued from 8.1, unfinished |
| 8.3r | Counterpoint: 3-voice |
| 8.4r | Motivic analysis of 2nd Quartet |
| 8.4v | ?, 12-tone at bottom |
| 8.5r | 12-tone row and 7 trans, inv. [B-flat, E, F-sharp, E-flat, F, A, D, C-sharp, G, G-sharp, B, C |
| 8.6r | Counterpoint; rhythmic accents / u, / u u |
| 8.6v | Composition? sketches |
| 8.7r | Structural functions: circle of 5ths; "Modulation to keys one fifth distant" |
| 8.7v | he Neopolitan region is a variation of the Dorian region; counterpoint example; progression |
| 8.8.r | Counterpoint: "C-e", 3-voice |
| 8.8v | Counterpoint: 3-voice, Rockingham stamp |
| 8.9r | Counterpoint: 3-voice (Structural functions at bottom?) |
