folio 2.27r – 4.10v
| Folio | Inhalt |
| 2.27r | List of names? "Committee for Const." |
| 2.27v | Rows from op. 31; melody in B-flat |
| 3.1r | Counterpoint: Fugue, "model","sequ", "liqu" |
| 3.1v | Fugue: bars 16-23, "D", "C" |
| 3.2r | Counterpoint: Stretto example (?) |
| 3.2v | Two 5-bar examples, "G-b", [c-e] |
| 3.3r | Counterpoint: 2-voice fugue, "D", "C", "Stretta" |
| 3.3v | Dorian, "Mixol", "Phry.", "Lydian" scales; chart with C clefs (?); circle of 5ths; 5-bar, 2-part ex. with alternate endings |
| 3.4r | Counterpoint: 2-voice fugue, "D", "C", 15 bars |
| 3.4v | Multiple solutions for each of 3 different 3-bar cantus firmi, 2 added voices |
| 3.5r | Counterpoint: diagram of 4-voice fugue showing "D", "C", "episodes", "mod., seq., liq."; 36 bars |
| 3.5v | Fugue beginning "D", "C"; 5 bars; following entrances indicated |
| 3.6r | Counterpoint: 4-voice stretto |
| 3.6v | 12 bars of 3-voice fugue showing only subject; stretto example at top |
| 3.7r | Counterpoint: middle of 4-voice fugue; "S", "T", "free cambiate", "II. Section" |
| 3.7v | bars 34-42 of a 4-voice fugue; "CS", "D", "C" |
| 3.8r | Counterpoint: 3-voice fugue; subject only shown; 13 bars; 5-bar stretto ex. at top (same subject as 3.2) |
| 3.9r | Counterpoint: 7-bar, 3-voice "CF"example, "IV/20/42", "Mix"; Alternate versions of last 2 bars at bottom |
| 3.9v | 7-bar example; "CF", "Mix", "Tendency of the smallest notes" |
| 3.10r | Counterpoint: Suspension exx.; "March 9, 1942" |
| 3.11r | Counterpoint: Suspension, cadence exx.; "March 9" |
| 3.12r | Counterpoint: ?; 9-bar, whole-note CF; 14, "2/5" in corner |
| 3.13r | Counterpoint: 2 voices over a 6-bar C: F2/5 in corner |
| 3.14r | Counterpoint: fragments (small exx.), "3/13/42"; "March 16, '42"; "license"; "5" in corner |
| 3.15r | Counterpoint: 2-part; 8 solutions of a 2-bar bass figure |
| 3.15v | SATB charts?, "copied" "OK" |
| 3.16r | Composition?: "Plagal", "Pedals": 7 cadence pedal examples: 105 |
| 4.1r | Counterpoint: "Dorian", "1st subject", "Dux", Comes", "2nd subject", chart at bottom ("5" in corner) |
| 4.1v | Alternative 1, bars 28-31, "church modes" |
| 4.2r | Counterpoint: "Fuga 1", 3-voice, 17 bars, "See alternatives I II ...III/IV" |
| 4.2v | 23-bar, 2-voice "D" "C", "stretto"; alternates at bottom |
| 4.3r | Counterpoint: examples |
| 4.3v | Fuga I Alternative 1 bars 28-32, "Alternative 2", 4 notes |
| 4.4r | Counterpoint: Inversion charts and examples for 8th, 10th, 12th |
| 4.4v | Modes: "Phr", "Lydian", "Mixolydian", chords within these modes ("5" in corner) |
| 4.5r | Counterpoint: examples of "LH", "UH" ("5" in corner) |
| 4.5v | 2-part exx. inv. at 8th, "C-e", "C-G" |
| 4.6r | Counterpoint: "LH" "UH" ("5" in corner) |
| 4.6v | Fuge Ge-fügen, diagrams of dux and comes; "LH" "UH" |
| 4.7r | Counterpoint: 25-bar, 2-part dux-comes |
| 4.7v | Diagram of fugue ("5" in corner) |
| 4.8r | Counterpoint: examples of "UH" "LH": "phry", "Dor.", "Ion" ("5" in corner) |
| 4.8v | 10 bars of 4-voice "Dorian" fugue, "D", "C", "CS" |
| 4.9r | Counterpoint: 2-bar susp. and inversion at 10th |
| 4.9v | bars 21-30 of 4-part ex. "D", "C" "!!!see measure 11!!" ("5" in corner) |
| 4.10r | Counterpoint: "Cadences" ("5" in corner) |
| 4.10v | Counterpoint: bars 31-40, 4-part |
