| 1.
Diskussion im Berliner Rundfunk |
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31. März 1931 |
6:27 |
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| 2. Kol
nidre |
|
193-? |
– |
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| 3. Orchestervariationen
op. 31. Vortrag |
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22. März 1931 |
17:23 |
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| 4.
Streichquartette |
|
29./30. Dezember
1936 |
4:42 |
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| 5. Tribute
to George Gershwin |
|
12. Juli 1937 |
0:58 |
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| 6. Serenade,
op. 24 |
|
Weihnachten 1937 |
0:13 |
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| 7. How
can a music student earn a living (1. Version) |
|
nach 1939 |
15:14 |
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| 8. How
can a music student earn a living (2. Version) |
|
nach 1939 |
10:03 |
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| 9. Afrika |
|
194-? |
3:14 |
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| 10. Belohnt
hat |
|
194-? |
– |
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| 11. Frankly I don't know |
|
194-? |
– |
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| 12. Is,
I think, suitable |
|
194-? |
0:42 |
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| 13. Prinzessin |
|
194-? |
10:22 |
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| 14. Speech |
|
194-? |
– |
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| 15. This
composition has never been |
|
194-? |
0:04 |
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| 16. To
the San Francisco roundtable on modern art |
|
194-? |
16:15 |
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| 17. Kammersymphonie,
no. 2; arr. piano (4 hands) |
|
9. Dezember 1943 |
0:59 |
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18. To
the National Institute of Arts and Letters
(»Boiling water speech«) |
|
22. Mai 1947 |
4:27 |
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| 19. For
the broadcast (1st version) |
|
1948 |
1:00 |
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| 20. For
the broadcast (2nd version) |
|
1948 |
1:10 |
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| 21. To
the birthday of broadcasts of contemporary music |
|
13. September 1948 |
4:28 |
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| 22.
Letter, Los Angeles, to Clara
Steuermann, New York |
|
Oktober 1948 |
2:07 |
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| 23. Alban
Berg (1st speech) |
|
1949 |
2:58 |
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| 24. Rose
Bampton, Karl Kritz, and Arnold Schoenberg |
|
1949 |
11:47 |
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| 25. For
the broadcast of the String trio |
|
Mai 1949 |
3:55 |
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| 26. Letter,
Los Angeles, to Amadeo de Filippi, New York |
|
13. Mai 1949 |
1:33 |
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27. Letter,
Los Angeles, to Ediciones Mexicanas
(Blas Galindo & Rudolfo Hallfter), Mexico |
|
13. Mai 1949 |
0:59 |
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| 28. For
my broadcast |
|
23. August 1949 |
4:15 |
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| 29. My
evolution |
|
29. November 1949 |
41:53 |
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| 30. Who
am I? |
|
29. November 1949 |
2:35 |
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| 31. About
turning the other |
|
195-? |
0:41 |
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| 32. Auf Englisch
oder Deutsch |
|
195-? |
0:02 |
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| 33. Letter,
Los Angeles, to Sylvia van Ameringen, Paris |
|
195-? |
0:15 |
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| 34.
More about the records |
|
195-? |
0:11 |
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| 35. The
nonprofit centers |
|
195-? |
0:10 |
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| 36. Perhaps
one of the companies |
|
195-? |
0:17 |
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| 37. Verdient
eine Züchtigung |
|
195-? |
0:20 |
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| 38. We
have today a style of performance |
|
195-? |
0:17 |
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| 39. Der
zweitbeste Freund |
|
195-? |
1:02 |
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| 40. Cal-Tech,
EE-200. Seminar in sound |
|
1950 |
32:00 |
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| 41. Museum
talk on painting |
|
1950 |
10:53 |
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| 42. Napoleon
patience |
|
1950? |
10:54 |
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| 43. To
continue communicating |
|
Januar 1950 |
0:30 |
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| 44. Brief,
Los Angeles, an Edward B. Marks Music Corp. (Joyce Goldberg), New
York |
|
2. März 1951 |
2:10 |
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45. Brief,
Los Angeles, an Oskar Adler
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3. März 1951 |
3:47 |
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46. Brief,
Los Angeles, an Capitol Records
(Richard C. Jones), Hollywood |
|
3. März 1951 |
2:14 |
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| 47. Brief,
Los Angeles, an Josef Rufer, Berlin |
|
3. März 1951 |
2:56 |
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| 48. Brief,
Los Angeles, an Ross Russell, New York |
|
3. März
1951 |
1:46 |
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| 49. Brief,
Los Angeles, an Georg Schönberg, Mödling, Austria |
|
3. März 1951 |
4:10 |
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| 50. Brief,
Los Angeles, an Clara Steuermann, New York |
|
3. März 1951 |
0:57 |
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| 51. Brief,
Los Angeles, an Hans Heinz Stuckenschmidt, Berlin |
|
3. März 1951 |
1:28 |
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| 52. Brief,
Los Angeles, an Winfried Zillig, Frankfurt |
|
3. März 1951 |
5:09 |
Archive & Library > Voice
recordings
