Symposium
at the occasion of Luigi Dallapiccola's 100th birthday
Monday, 18 October, and Tuesday, 19 October 2004
Free admission
Luigi Dallapiccolla is one of the first prominent composers outside of
the Schönberg School to dedicate himself to the twelve-tone method. Born
in 1904 in Pisino/Pazin (Istria), he spent time during 1917 and 1918 in
Graz due to the war, then lived in Triest and ultimately studied piano
and composition in Florence. His encounters with Schönberg's "Theory of
Harmony," and "Pierrot lunaire" influenced him finally to become a composer,
and as early as the 1930s he turned to Dodecaphony, after having attended
the IGNM festivals and absorbed the works of the Viennese School. Because
of their radical atonality, however, his works were banned both by National-Socialist
Germany and Fascist Italy. Dallapiccola, who had met Anton Webern in Vienna
in 1942 and who had later dedicated his "Sex carmina Alcaei" to him, did
not gain prominence until after World War II. Finally it was his opera
"The Prisoner" ("Il prigioniero") and the "Songs of Liberation" ("Canti
di liberazione") which earned him international aclaim, culminating in
1968 (Berlin) with his opera "Ulisse," a work which shares many details
in common with its model, Schönberg's" Moses und Aron."Dallapiccola died
in Florence in 1975.
Cooperation Arnold Schönberg Center, Wissenschaftszentrum Arnold Schönberg
am Institut für Musikalische Stilforschung der Universität für Musik und
darstellende Kunst Wien und Italienisches Kulturinstitut in Wien
__________
Monday, 18 October 2004, 7 pm
Arnold Schönberg Center
Christian Meyer, Arnold Schönberg Center
Hartmut Krones, Universität für Musik und darstellende Kunst
Wien
Begrüßung
S.E. Raffaele Berlenghi, Botschafter von Italien in Österreich
Eröffnung
Pierluigi Petrobelli, Istituto Nazionale di Studi Verdiani, Roma
Festvortrag: Dallapiccola's »Tre Poemi«
Johannes Marian, Klavier
Luigi Dallapiccola: Quaderno musicale di Annalibera
Arnold Schönberg:
Klavierstück op. 33b
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Tuesday, 19 October 2004, 10 am
Arnold Schönberg Center
Manfred Permoser, Universität für Musik und darstellende Kunst Wien
Zur Wiener Dallapiccola-Rezeption
Hartmut Krones, Universität für Musik und darstellende Kunst Wien
»... dass Sie in Wien gelebt und bei Webern studiert haben.«
Zum Briefwechsel Arnold Schönberg - Luigi Dallapiccola
Peter Andraschke, Universität Gießen
Luigi Dallapiccola: Webern-Nähe und politischer Widerstand
__________
Tuesday, 19 October 2004, 3 pm
Arnold Schönberg Center
Theo Hirsbrunner, Bern
Dallapiccolas »Cinque canti«
Dietrich Kämper, Universität Köln
Über die »spazi molteplici« des musikalischen Denkens.
Luigi Nono und Luigi Dallapiccola
Mario Ruffini, Conservatorio di Musica »F. Venezze«, Rovigo
Schönberg's »Moses und Aron« and Dallapiccola's »Ulisse«:
The Lost Word, the Found Word
Die angegebenen Referatsthemen stellen vorläufige Arbeitstitel dar.
Auskünfte und Prospekte: Institut für Musikalische Stilforschung,
Phone: (+43/1) 711 55-2531, Fax: (+43/1) 711 55-2539
Tuesday, 19 October 2004, 6.45 pm, admission free
Konzerteinführung Pierluigi Petrobelli (in English)
__________
Tuesday, 19 October 2004, 7.30 pm
Concert at the occasion of Luigi Dallapiccola's 100th birthday
Ensemble Wiener Collage
René Staar, Violine - Petra Ackermann, Viola
Stefan Neubauer, Klarinette - Alfred Melichar, Akkordeon
Johannes Marian, Klavier
Michaela Lucas, Mezzosopran
Luigi Dallapiccola: Quaderno musicale di Annalibera
Goethe-Lieder; aus Liriche Greche: Due liriche di Anacreonte
Arnold Schönberg: Drei Lieder op. 48
Salvatore Sciarrino: Ai limiti della notte
Luciano Berio: Sequenza XIII
Giacinto Scelsi: Ixor
Eur 14; Eur 7 (discount ticket)
Der Abonnement-Zyklus des Ensemble Wiener Collage 2004/2005 am Arnold
Schönberg Center steht unter der Patronanz der Wiener Philharmoniker.
