Leonard Stein: “The Journal and the Institute”
Milton Babbitt: “Celebrative Speech”
H. H. Stuckenschmidt: “Notes from a Long Association and a New Biography”
Bibliography
Marsha Berman and Betty O’Rourke: “A Selected List of Periodical Articles on Arnold Schoenberg, 1974 - June 1976”
Alexander L. Ringer: “Arnold Schoenberg and the Prophetic Image in Music”
Paul A. Pisk: “Memories of Schoenberg”
From the Archives
Clara Steuermann: “Procedures, Materials, and Acknowledgments”
Acknowledgement of Contributions to the Building Fund
Announcement

Leonard Stein: “The Opening of the Institute”
Richard Hoffmann: “Schoenberg est vivant”
Jan Maegaard: “Schoenberg’s Manuscripts: What Do They Tell Us?”
Ena Steiner: “Mödling Revisited”
Ernst Krenek: “Schoenberg the Centenarian”
Arnold Schoenberg: “Neue Musik / Meine Musik”
Bibliography
Marsha Berman: “Books and Dissertations, 1974-76”
From the Archives
Clara Steuermann: “Moving Day and Beyond...”

Leonard Stein: “From the Director’s Desk”
Pierre Boulez: “Through Schoenberg to the Future”
Dika Newlin: “Notes for a Schoenberg Biography: From My Los Angeles Diary, 1939”
Jonathan M. Dunsby: “Schoenberg’s Premonition, Op. 22, No. 4, in Retrospect”
From the Archives
Clara Steuermann: “Satellites”
Jonathan M. Dunsby: “The Stiedry Collection”
Leonard Stein: “The Gurrelieder Fanfare Manuscript”
Bibliography
Marsha Berman: “Articles in Periodicals and Collections of Essays”
Discography
David Cloud: “Schoenberg Recordings: An Update”
Correspondence

Elaine Barkin: Foreword
Alexander Goehr: “Schoenberg’s Gedanke Manuscript”
Jonathan M. Dunsby: “Schoenberg and the Writings of Schenker”
Will Ogdon: “Unpublished Treatise of René Leibowitz”
Reinhold Brinkmann: “On Pierrot’s Trail”
Edward Steuermann: “Pierrot Lunaire in Retrospect”
Leonard Stein: “A Note on the Genesis of the Ode to Napoleon”
Arnold Schoenberg: “How I Came to Compose the Ode to Napoleon”
From the Archives
Clara Steuermann: “Satellites II”
Jonathan M. Dunsby: “The Steuermann Collection”
Leonard Stein: “Toward a Chronology of Schoenberg’s Early Unpublished Songs”

Leonard Stein: Foreword: “Evaluations and Expectations”
Louis Krasner: “A Performance History of Schoenberg’s Violin Concerto Op. 36”
Arnold Schoenberg: “Der kleine Muck: The Concertgebouw Revisited” (Introduction by Leonard Stein)
Marcel Dick with Anne Trenkamp: “Reminiscences of Schoenberg as Conductor”
Jean Christensen: “Schoenberg’s Sketches for Die Jakobsleiter: A Study of a Special Case”
Fred Steiner: “A History of the First Complete Recording of the Schoenberg String Quartets”
Nicholas Slonimsky: “Schoenberg in the Soviet Mirror”
From the Archives
Clara Steuermann: “Diaries”
Contributors

Ellen Kravitz: Foreword: “Schoenberg as Artist”
Eberhard Freitag: “German Expressionism and Schoenberg’s Self-Portraits”
Georg Eisler: “Observations on Schoenberg as Painter”
Halsey Stevens: “A Conversation with Schoenberg about Painting”
Wassily Kandinsky: “The Paintings of Schoenberg”
Lawrence Schoenberg and Ellen Kravitz: “Catalog of Schoenberg’s Paintings, Drawings and Sketches”
Arnold Schoenberg: “Malerische Einflüsse”
From the Archives
Clara Steuermann: “Schoenberg at Play”
Bibliography
Anne Wirth: “Selected References on Arnold Schoenberg’s Art and Aesthetics”
Announcement

Leonard Stein: Foreword: “Schoenberg’s Jewish Identity (A Chronology of Source Material)”
Alexander Ringer: “Arnold Schoenberg and the Politics of Jewish Survival”
Arnold Schoenberg: “A Four-Point Program for Jewry”
Charles Heller: “Traditional Jewish Material from Schoenberg’s A Survivor from Warsaw, Op. 46”
Donald Harris: “Ravel Visits the Verein”
Reports
Jan Maegaard: “Orchestrating Schoenberg’s Organ Variations”
Bryan R. Simms: “A Report from the Joint Meeting of the AMS/SMT”
Bibliography
Mark Tauger: “Current Bibliography (1976-1978)”
From the Archives
Clara Steuermann: “Recorded Sound on Discs”
Correspondence
Chronicle
Events at the Institute, 1978-79
Contributors

Leonard Stein: Foreword
Bryan R. Simms: “The Society for Private Musical Performances: Resources and Documents in Schoenberg’s Legacy”
Max Bloch: “Viktor Ullmann: A Brief Biography and Appreciation”
Reviews
Claudio Spies: Theory of Harmony by Arnold Schoenberg
Clara Steuermann: The Arnold Schoenberg-Hans Nachod Collection, edited by John A. Kimmey, Jr.
Lawrence Morton: Anton von Webern: A Chronicle of His Life and Work by Hans Moldenhauer and Rosaleen Moldenhauer
Jonathan M. Dunsby: Beyond Orpheus: Studies in Musical Structure by David Epstein
From the Archives
Clara Steuermann: “Schoenberg’s Library Catalogue”
Reports
Leonard Stein: “Stokowski and the Gurrelieder Fanfare: Further Correspondence”
Maurice Zam: “How Schoenberg Came to UCLA”
Correspondence
Chronicle
Events at the Institute, 1979-80
Contributors

In Memory of Rudolf Kolisch (1896-1978)
Clara Steuermann: “Biography”
Michael Steinberg: “Encomium”
Rudolf Kolisch: “Schoenberg’s Sendung”
Arnold Schoenberg: “About Rudolf Kolisch”
Schoenberg and the English: A Symposium
Arnold Whitall: “Schoenberg and the English: Notes for a Documentary”
Michael Musgrave: “Schoenberg and Theory”
Jonathan Dunsby: “Schoenberg on Cadence”
Christopher W. Wintle: “Schoenberg’s Harmony: Theory and Practice”
Opera and Theater
John C. Crawford: “Die Glückliche Hand: Further Notes”
Alexander L. Ringer: “Schoenberg, Weill, and Epic Theater”
From the Archives
Clara Steuermann: “Additions and Amplifications”
Jerry McBride: “Teaching Materials in the Arnold Schoenberg Institute Archives”
Correspondence
Contributors
Correction
Announcement: Fifth International Arnold Schönberg Piano Competition

Schoenberg and the Critics
Leonard Stein: Foreword
Walter B. Bailey: “Composer Versus Critic: The Schoenberg-Schmidt Polemic”
Complete Edition
Christian Martin Schmidt: “Neuentdeckte Skizzen zur Sonate für Orgel von Arnold Schönberg” / “Additional Sketches for Schoenberg’s Organ Sonata”
From the Archives
Clara Steuermann: “Visits Abroad”
Walter B. Bailey: “Schoenberg’s Published Articles: A List of Titles, Sources and Translations”
Review
Pauline Alderman: Schoenberg Remembered: Diaries and Recollections by Dika Newlin
Reports
Joe Saltzman: “Schoenberg in Santa Fe”, “Schoenberg at La Scala, in Freiburg and Den Haag” Chronicle
Concerts at the Institute, 1980-81
Contributors

Hans Keller: “Schoenberg’s Return to Tonality”
Charlotte E. Erwin and Bryan R. Simms: “Schoenberg’s Correspondence with Heinrich Schenker”
Schoenberg’s Playing Cards
Clara Steuermann: Introduction
Nuria Schoenberg Nono: “The Role of Extra-Musical Pursuits in Arnold Schoenberg’s Creative Life”
Arnold Schoenberg: “Napoleon Patience”
From the Archives
Clara Steuermann: “The Photograph Collection”, “Addenda to the Catalog of Schoenberg’s Paintings, Drawings
and Sketches”, “Musikgraphische Werke: Visual Impressions by Joachim-Carl Friedrich of Compositions by Arnold Schoenberg”
Jerry McBride: “Recorded Sound on Tape”
Chronicle
Concerts at the Institute, 1981-82
Schoenberg Events
Index to Volumes I-IV (1976-1980)
Contributors

Leonard Stein: Foreword: “Tonal or Atonal?” Opus 11, Number 1: Two Points of View
Allen Forte: “The Magical Kaleidoscope: Schoenberg’s First Atonal Masterwork, Opus 11, No. 1”
Will Ogdon: “How Tonality Functions in Schoenberg’s Opus 11, No. 1”
From the Archives
Jerry McBride: “Schoenberg’s Annotated Handexemplare”
Reminiscences
Pauline Alderman: “Arnold Schoenberg at USC”
Alan Wells: “Schoenberg’s Class at USC”
Bibliography
Diane Penney: “Current Bibliography (1978 - June 1981)”
Contributors

Berthold Türcke: “Felix Greissle (1894-1982)”
Pamela C. White: “The Genesis of Moses und Aron”
Walter B. Bailey: “Oscar Levant and the Program for Schoenberg’s Piano Concerto”
Alexander L. Ringer: “Faith and Symbol--On Arnold Schoenberg’s Last Musical Utterance”
Christoph von Blumröder: “Schoenberg and the Concept of the ‘New Music’”
Robert Falck: “Emancipation of the Dissonance”
From the Archives
Jerry McBride: “The Photograph Collection”
Discography
Gordon Theil: “Recent Recordings of Schoenberg’s Music”
Chronicle: Concerts at the Institute, 1982-1983
“Max Bloch (1908-1982)”
Contributors

Leonard Stein: Foreword
Paul Op de Coul and Rutger Schoute: “Schoenberg in the Netherlands”
Gene Carl: “The Willem Mengelberg Archives in The Hague”
Berthold Türcke: “The Schoenberg-Mengelberg Correspondence”
Matthijs Vermeulen: “Looking Back on Schoenberg”
Piet Schilham: “The Hague Philharmonic: An Advocate of Schoenberg”
Henk Guittart: “The Emergence and Development of the Schoenberg Ensemble”
Jan van Vlijmen: “Why a Statue of Schoenberg?”
Contributors
“Max Deutsch: Teacher/Composer”

Leonard Stein: Foreword
Daniel M. Raessler: “Schoenberg and Busoni: Aspects of Their Relationship”
Berthold Türcke: “The Mahler Society: A Project of Schoenberg and Mengelberg”
Michael Eckert: “Luigi Dallapiccola on Arnold Schoenberg”
Jo-Ann Reif: “Adrian Leverkühn, Arnold Schoenberg, Theodor Adorno: Theorists Real and Fictitious in Thomas Mann’s Doctor Faustus”
From the Archives
Jerry McBride: “Orchestral Transcriptions for the Society for Private Musical Performances”
Chronicle: Concerts at the Institute, Fall 1983
Contributors

Leonard Stein: Foreword: Report on the NEH Summer Session, Schoenberg Research Award
Paul S. Hesselink: “Variations on a Recitative for Organ, Op. 40: Correspondence from the Schoenberg Legacy”
Bonny Hough: “Schoenberg’s Herzgewächse and the Blaue Reiter Almanac”
William G. Harbinson: “Rhythmic Structure in Schoenberg’s ‘Jane Grey’”
From the Archives
Jerry McBride: “Further Schoenberg Correspondence”
Berthold Türcke: “Gurrelieder and Orchestra Pieces, Op. 16 for Two Pianos: A Rediscovery of Reductions by Schoenberg/Webern and Erwin Stein”
Leonard Stein: “Gerald Strang (1908-1983)”, “Pauline Alderman (1893-1983)”
Chronicle: Concerts at the Institute, Spring 1984
Contributors

Leonard Stein: Foreword: “Schoenberg’s Pupils”
Rosemary Hilmar: “Alban Berg’s Studies with Schoenberg”
From the Archives
Jerry McBride: “Dem Lehrer Arnold Schoenberg”
Pamela C. White: “Schoenberg and Schopenhauer”
Richard Hoffmann, Leonard Stein: “Reminiscences: A Schoenberg Centennial Symposium at Oberlin College” Review
Ethan Haimo: Brahms and the Principle of Developing Variation by Walter Frisch
David Hush: “Supplement: Modes of Continuity in Schoenberg’s Begleitungsmusik, Op. 34”
Chronicle: Concerts at the Institute 1984-85
Contributors

Susan Youens: “Excavating an Allegory: The Texts of Pierrot Lunaire”
Jan Gilbert: “Schoenberg’s Harmonic Visions: A Study of Text Painting in ‘Die Kreuze’”
Harald Krebs: “Three Versions of Schoenberg’s Op. 15 No. 14: Obvious Differences and Hidden Similarities”
Ethan Haimo: “Editing Schoenberg’s Twelve-Tone Music”
Judith Meibach: “The Society for Musical Private Performances: Antecedents and Foundation”
Contributors

Jerry McBride: Foreword
Anita Luginbühl: “Attempt at a Diary by Arnold Schoenberg”
Paul A Pisk: “War-Clouds Diary by Arnold Schoenberg”
Jerry McBride and Anita Luginbühl: “1923 Diary by Arnold Schoenberg”
Bibliography
Joan D. Kunselman: “Current Bibliography (July, 1981-1984)”
Discography
Gordon Theil: “Recent Recordings of Schoenberg’s Music”
Journal of the Arnold Schoenberg Institute, Series I, Index to Volumes I-VIII (1976-1984)
Chronicle
Concerts at the Institute 1985-86
Contributors

Walter Frisch: “Schoenberg and the Poetry of Richard Dehmel”
Thomas McGeary: “The Publishing History of Style and Idea”
Michael Cherlin: “Schoenberg’s Representation of the Divine in Moses und Aron”
David Schiff : “Jewish and Musical Tradition in the Music of Mahler and Schoenberg”
Martina Sichardt: “In Search of a Lost Manuscript”
E. Randol Schoenberg: “Alban Berg-Arnold Schoenberg Exhibit at the Arnold Schoenberg Institute, August-December 1985, in Honor of the Alban Berg Centennial”
Contributors

David Hamilton: “From Pierrot to Marteau, March 14-16, 1987”
Reinhold Brinkmann: “What the Sources Tell Us... A Chapter of Pierrot Philology”
R. John Specht: “Schoenberg Among the Workers”
Thomas Christensen: “Schoenberg’s Opus 11 No. 1: A Parody of Pitch Cells from Tristan”
David Lewin: “On the ‘Ninth-Chord in Fourth Inversion’ from Verklärte Nacht”
From the Archives
R. Wayne Shoaf: “The Felix Greissle Collection”
Heidi Lesemann: “Henk Guittart”
Leonard Stein: “Lawrence Morton (1904-1987)”
Contributors

Bryan Simms: “Who First Composed Twelve-Tone Music, Schoenberg or Hauer?”
E. Randol Schoenberg: “Arnold Schoenberg and Albert Einstein: Their Relationship and Views on Zionism”
From the Archives
R. Wayne Shoaf: “Acquisitions of Early Manuscripts”
Chronicle
Events at the Arnold Schoenberg Institute, January-April, 1988
Contributors
Errata

Alan P. Lessem: “Teaching Americans Music: Some Émigré Composer Viewpoints, ca. 1930-1955”
Harald Krebs: “Schoenberg’s ‘Liebeslied’: An Early Example of Serial Writing”
Paul Johnson: “Rhythm and Set Choice in Schoenberg’s Piano Concerto”
Ethan Haimo: Schoenberg’s Unknown Twelve-Tone Fragments
Christopher Hailey and Juliane Brand: “Catalogue of the Correspondence between Alban Berg and Arnold Schoenberg”
Contributors

Pierre Boulez: “The Composer and Creativity”
Harald Krebs: “New Light on the Source Materials of Schoenberg’s Die Glueckliche Hand”
Chautauqua
Christopher Gibbs: “Schoenberg in Chautauqua”
Dorothea Kelley: “Arnold Schoenberg’s Sixtieth Birthday in Chautauqua”
Martin Bernstein: “On the Genesis of Schoenberg’s Suite for School Orchestra”
Joan Evans: “New Light on the First Performances of Schoenberg’s Opera 34 and 35”
Phillip Lehrman: “A Schoenberg Note about Prokofiev, Shostakovich, Stravinsky and Koussevitzky”
Reviews:
Walter Frisch: Streichquartette I by Arnold Schoenberg
Alan Lessem: Early Songs by Arnold Schoenberg
Leonard Stein: “Hans Heinz Stuckenschmidt”
Chronicle: Musical Events at the Arnold Schoenberg Institute, Fall 1988 to Spring 1989
Contributors

Cornelius Schnauber: “Perception and Apperception of Dissonances in Twelve-Tone Music”
Robert Fleisher: “Dualism in the Music of Arnold Schoenberg”
Dorothy Crawford: “Interview with Eugene Lehrer”
Harald Krebs: “The ‘Color Crescendo’ from Die Glueckliche Hand: A Comparison of Sketch and Final Version”
David H. Smyth: “Schoenberg and Dial Records: The Composer’s Correspondence with Ross Russell”
Review:
Walter B. Bailey: “‘Filling in the Gaps’: Jean and Jesper Christensen’s From Arnold Schoenberg’s Literary
Legacy: A Catalog of Neglected Items”
In process...
Contributors

Joseph Auner: “Schoenberg’s Aesthetic Transformations and the Evolution of Form in Die glückliche Hand”
Further Berg-Schoenberg Correspondence: The Twelve Lost Berg Letters
E. Randol Schoenberg: Foreword
Juliane Brand and Christopher Hailey: “Translators’ Note; Transcriptions, Translations, and Annotations”
Dorothy L. Crawford: “Peter Yates and the Performance of Schoenberg Chamber Music at Evenings on the Roof’”
From the Archives
Susan L. Sloan: “Archival Exhibit: Schoenberg’s Dodecaphonic Devices”
George J. Skapski: “Paul Amadeus Pisk Remembered”
Chronicle
Musical Events at the Arnold Schoenberg Institute, September 1989 to April 1990
Contributors

David Neumeyer and Giselher Schubert: “Arnold Schoenberg and Paul Hindemith”
Andrea Olmstead: “The Correspondence between Arnold Schoenberg and Roger Sessions”
Walter B. Bailey: “The Chamber-Ensemble Arrangements of the Orchestra Songs, Opus 8: Realizing Schoenberg’s Instructions to His Students”
From the Archives
R. Wayne Shoaf: “Discography of Schoenberg Compact-Discs: 1984-1990”
Index to Volumes I-XII (1976-1989)
Contributors

Lovina May Knight: “Classes with Schoenberg January through June 1934”
From the Archives
R. Wayne Shoaf: “The Schoenberg-Malkin Correspondence”
Report
Bryan R. Simms: “A Schoenberg Symposium in Victoria”
Contributors

Heidi Lesemann: “Leonard Stein: A Dedication”
Tributes to Leonard Stein
Juliane Brand: “Chronology: Arnold Schoenberg Institute Events, 1974-1992”
Index of Composers and Compositions
Index of Performers and Speakers
From the Archives
R. Wayne Shoaf: “Exhibits: Arnold Schoenberg Institute, 1977-1982”
David M. Bishop: “Schoenberg’s Concerto for Piano and Orchestra, op. 42: A Reexamination of the Evolution of the Series in the Sketches”
Contributors

Juliane Brand: “Of Authorship and Partnership: The Libretto of Von heute auf morgen”, “A Short History of Von heute auf morgen with Letters and Documents”
Stephen Davison: “Of its Time or Out of Step? Schoenberg’s Zeitoper, Von heute auf morgen”
Report
Michael L. Friedmann: “A Schoenberg Conference in New York”
Review
Douglass M. Green: The Berg Companion, edited by Douglas Jarman
Contributors

Paul Zukofsky: Letter from the Editor
From the Archives
R. Wayne Shoaf: “Satellite Collections in the Archive”
Bibliography
Jerry McBride: “Bibliography 1985-1990”
Paul Zukofsky: “Schoenberg for Performers: the Prequel”
Claudio Spies: Keynote Speech, Schoenberg Conference, New York, 5 October 1991
Rudolf Stephan: “A Response to Claudio Spies”
Claudio Spies: “A Response to Rudolf Stephan”
Contributors

Thomas McGeary: “Schoenberg’s Brahms Lecture of 1933”
Arnold Schoenberg, translated by Thomas McGeary (both German and English versions given): “Vortrag, zu halten in
Frankfurt am Main am 12.II.1933”
Thomas McGeary:
Appendix I: Summary of Surviving Manuscripts
Appendix II: The Prinz-Eugen Lied
Appendix III: Comparison of Musical Examples
Appendix IV: Classification of Musical Examples
Bibliography
Jerry McBride: “Bibliography 1991-1992”
Contributors

Paul Zukofsky: Letter from the Editor
Mark DeVoto: “General Remarks”, “General Glossary”
Alban Berg, translated by Mark DeVoto (both German and English versions given):
“Gurrelieder Guide”, Historical Note
“Chamber Symphony Guide”, Glossary
“Pelleas and Melisande Guide”, Glossary
Heinrich Jalowetz and Alexander Zemlinsky, translated by Mark DeVoto (both German and English versions given):
“Arnold Schoenberg’s F# minor Quartet: a technical analysis”
Glossary
From the Archives
R. Wayne Shoaf: “Variant Printings of the Berg Guides”
Contributors
Supporters - 1993

Paul Zukofsky: Letter from the Editor
List of Illustrations
Moshe Lazar: “Arnold Schoenberg and His Doubles: A Psychodramatic Journey to His Roots”, “Notes”, “Bibliography”
From the Archives
R. Wayne Shoaf: “Der biblische Weg: Principal and Related Manuscript Sources”
Arnold Schoenberg, translated by Moshe Lazar (both German and English versions given):
Der biblische Weg / The Biblical Way
Appendices
Contributors
Supporters – 1994

Paul Zukofsky: Letter from the Editor
Paul Zukofsky: “Preamble: a Call for Enemies”
R. Wayne Shoaf: Introduction
Paul Zukofsky, R. Wayne Shoaf, Stephen Davison, Marilyn McCoy, Camille Crittenden, Jacob Vonk: “A Preliminary Inventory”
Index
Appendices
A. Schoenberg’s Addresses
B. City Codes
C. Siglia
D. Bibliography
Claudio Spies: “Schoenberg’s Influence on Composing in America”
Addendum
Steven J. Cahn: Letter to the Editor
Contributors